JeanneArtemis

Witchy Techno  /  Dissonant Art Music

01

Dates

Date format: Y/M/D
  • 2027/02/13Berlin · DETBAInstagram ↗
  • 2026/11/13Bremen · DEWD42 — Workshop, Jam, ConcertInstagram ↗Website ↗
  • 2026/10/TBATransylvania · ROTBA — watch our InstagramInstagram ↗
  • 2026/09/08Berlin · DEUnerhörte Musik
  • 2026/07/23Berlin · DEMAAYA
  • 2026/05/14Berlin · DEIOTOFTSAF
  • 2026/04/23Malmö · SEINTONAL 2026
02

Electronic Music

Witchy Techno

Dark, witchy, hypnotic hardware techno by Jeanne Artemis – live synthesizers, industrial edges and a physical, immersive sound.

03

Acoustic Music

Dissonant Art Music

Contemporary classical composition by Jeanne Artemis – dissonant, microtonal and physical, performed internationally.

Releases — YouTube

Catalogue of Works
  • Literatura Oscura2024String Quartet (4 movements)YouTube ↗
  • Traumtänzerin2024Orchestra
  • Pieces2022/23Violoncello and PianoYouTube ↗
  • ashes on my tongue2022EnsembleYouTube ↗
  • woven flowers2022Viola SoloYouTube ↗
  • fingers tear away the defeat2021Oboe, Tenor Recorder, Violin, Viola, Double BassYouTube ↗
  • withered gown2021Viola, Sub Double Great Bass Recorder, Double BassYouTube ↗
  • wortlos2020Voice, Double Bass and Piano
  • umschlungen2020Soprano, Accordion, Bass Flute, PercussionYouTube ↗
  • Haptische Schatten2011/20Violoncello QuintetYouTube ↗
  • for my being, I am201912 Solo StringsYouTube ↗
  • the teeth within the chasm2019Two Guitars
  • decessio2019Oboe, Violin, Bass Recorder
  • Epode2014/21Violoncello TrioSoundCloud ↗
  • verbunden2018Oboe, Tenor Recorder, Violin, VioloncelloYouTube ↗
  • hinab2020Sub Double Bass Recorder
  • Scherben2015Soprano and VioloncelloYouTube ↗
  • message II2014Viola SoloYouTube ↗
  • obscured light2014Bass Recorder, Violin, VioloncelloYouTube ↗
  • to abandon oneself2014Alto Recorder, Bass Clarinet, Violin, VioloncelloYouTube ↗
  • inked into silence2013Bass Clarinet, Violoncello, Double BassSoundCloud ↗
  • sunken contour2013Bass Recorder and Piano [in revision]YouTube ↗
  • ... ins Dunkel geschlagen2012Bass Recorder, Violin, VioloncelloSoundCloud ↗
  • message I2012/14Viola SoloYouTube ↗
  • 4 erloschene Bilder2010/13Guitar SoloYouTube ↗
  • Fenster2004–22Piano SoloYouTube ↗
04

Bio

Producer, Sound Designer, Composer and Performer

Live performance under pink and blue stage lights, hands on hardware synthesizers

Bio

Jeanne Artemis stands out as a rare, multifaceted artist whose work bridges an extraordinary range of musical and creative disciplines. Jeanne is an accomplished live performer using hardware synthesizers to create physical, immersive sound experiences. Her performances reflect a mastery of real-time interaction with machines, blending industrial, techno, and experimental sound worlds — sometimes also nostalgic ones — with a visceral energy.

Alongside her presence in electronic music, Jeanne has built a strong voice in modern art music. With a deep foundation in contemporary classical composition, her works are performed internationally and celebrated for their structural sophistication, emotional intensity, and finely tuned sensitivity to dissonance and microtonality. She explores complex forms and forges sonic spaces that connect with profound human experiences.

Awards & Fellowships

  • Winner of the NewMusic Prize of the Christoph and Stephan Kaske Stiftung and the nmz
  • 3rd place at Follow My Score X | 10 Year Anniversary
  • Residency at Leveld 2026
  • 2024 JACK Quartet Studio Readings Artist
  • Residency Stiftung Künstlerdorf Schöppingen 2024
  • Scholarship Arbeitsstipendium für Ernste Musik 2023 der Senatsverwaltung für Kultur und Europa
  • Keynote Speaker at Atemporánea Festival 2023
  • Scholarship Musikfonds e.V. 2022
  • Residency Goethe Institute 2022
  • Artist Residency at The Red House, Aldeburgh
  • Scholarship Deutscher Musikrat 2022
  • Portrait in the Neue Zeitschrift für Musik #2_2021
  • Composition commission for the Klangwerkstatt 2021 Festival
  • Scholarship Musikfonds e.V. 2021
  • Scholarship GVL 2021
  • NSU Faculty Research Grant for the recording of "Haptic Shadows"
  • 2nd Place Musequal Competition 2021
  • Scholarship Musikfonds e.V. 2020
  • Scholarship Senatsverwaltung für Kultur und Europa Berlin 2020
Early days: a young person at a 1990s computer, with a cassette recorder and a reel-to-reel machine behind

In the Beginning

... from discovering and being enthralled by Techno Music on the radio as a child, picking up a Thunderdome II CD in a local store, from making tracks on an 80286 PC with a simple audio editor - no DAW, no Midi, no Tracker - using self-build instruments and modified cassette decks, to notated music and live hardware ...

05

Voices

I have known Jeanne Artemis for many years now. Her unique music is like black magic, captivating the listener. She writes strong and very expressive music, at the same time rationally controlling the elements she uses for constructing the whole compositional form. I as a curator at the Tehran Contemporary music festival gladly had the premiere of one of her new orchestral pieces at the 2019 edition of the festival. Also as a teacher in composition, I suggested her music and her scores to my composition pupils many times.
Idin Samimi MofakhamComposer, Performer and Curator, Iran/Norway
Jeanne’s music is unique, full of energy and of rough, graceful beauty. Her works sound dissonant and microtonal, love to move in a polyrhythmic manner and weave unexpected sound shapes - powerful, almost brutal, but in equal measure soft and iridescent.
Sylvia HinzRecorder Player and Conductor, Germany
There is a deep, burning intensity in this work. Excellent piece.
Marc YeatsComposer, Researcher and Visual Artist, UKabout “Literatura Oscura”
Jeanne Artemis has captured abysmal sadness as well as the resistance of despair in the titular "Fenster".
nmz neue musikzeitung 11/2022
Wenn man deine Partitur anschaut, man merkt, dass es eine komplexe Musik ist. Ich möchte sagen, dass das bemerkenswert ist, wie transparent du im besten Sinne des Wortes das beherrschst, diese Form von Komplexität.
Violeta DinescuKomponistin, Rumänien/Deutschland
Already from the beginning the composition Message II by Jeanne Artemis stood out sonically. The composer uses prolonged, e.g. flageolet sounds, which emerge and dissolve as if from nowhere - real music of immateriality.
glissando MagazinePoland
This is a tremendous piece. It demonstrates great compositional skill and a vivid imagination, while packing a considerable emotional punch. The last several minutes in particular are an impressive display of the sonic assault that can be provided by five acoustic cellos.
Paul ChristopherCellist, Associate Professor of Cello and Music Theory at Northwestern State University of Louisiana, USAabout “Haptische Schatten”
A stroll through the works of Jeanne Artemis reveals a great diversity of compositional ‚settings’: in many places she presents herself as a refined experimenter, but at times she also chooses - seemingly - more conventional textures. A recurring motif, for all the diversity of her approaches, is the exploration of physicality in music.
Martin TchibaPianist and Composer in the "Neue Zeitschrift für Musik", Germany
... brilliant, enigmatic piece and transcended its mystical possibilities with stunning realities
Anonymousabout “Literatura Oscura”
Omgggg you are inspiring me so much right now
Baseck
06

Collabs

Catenation live, two performers at a blue-lit control panel

Catenation

with Sylvia Hinz

Collaborative electronic project of Jeanne Artemis and Sylvia Hinz. Catenation weave intricate sonic textures with raw, electric-electrifying energy, delivering an intensely physical encounter with sound.

07

Contact

E-Mail

For booking, press inquiries and all other requests.